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There are probably more songs that are like this than songs that aren’t, and it doesn’t just apply to folk songs, although that’s where we see it most notably. Let’s talk about the folk process, shall we? We’ve talked before, like in the episodes on “Stagger Lee” and “Ida Red”, about how there are some songs that aren’t really individual songs in themselves, but are instead collections of related songs that might happen to share a name, or a title, or a story, or a melody, but which might be different in other ways. The normalisation of violence against women in rock music lyrics is a subject I will come back to, but did not have room for in what is already a very long episode. I would hope it goes without saying that I don’t approve of misogyny, intimate partner violence, or murder, and my discussing a song does not mean I condone acts depicted in its lyrics, and the episode itself deals with the writing and recording of the song rather than its subject matter, but it would be impossible to talk about the record without excerpting the song. If those things are likely to upset you, please skip this episode, as the whole episode focusses on that song. Some versions excerpted also contain misogynistic slurs. Just a quick note before we start – this episode deals with a song whose basic subject is a man murdering a woman, and that song also contains references to guns, and in some versions to cocaine use. This podcast is brought to you by the generosity of my backers on Patreon.
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And “Hey Joe” can be found on Are You Experienced? Most of the pre-Experience session work by Jimi Hendrix I excerpt in this episode is on this box set of alternate takes and live recordings.
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Information on the history of “Hey Joe” itself came from all these sources plus Hey Joe: The Unauthorised Biography of a Rock Classic by Marc Shapiro, though note that most of that book is about post-1967 cover versions. Cross, Crosstown Traffic by Charles Shaar Murray, and Wild Thing by Philip Norman.
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Information on Jimi Hendrix came from Room Full of Mirrors by Charles R. Information on Gary Usher’s work with the Surfaris and the Sons of Adam came from The California Sound by Stephen McParland, which can be found at Information on Arthur Lee and Love came from Forever Changes: Arthur Lee and the Book of Love by John Einarson, and Arthur Lee: Alone Again Or by Barney Hoskyns. Check out Tilt’s irregular podcasts at and Īs usual, I’ve put together a Mixcloud mix containing all the music excerpted in this episode.įor information on the Byrds, I relied mostly on Timeless Flight Revisited by Johnny Rogan, with some information from Chris Hillman’s autobiography. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Patreon backers also have a twenty-two-minute bonus episode available, on “Making Time” by The Creation.
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** Single print order can either print or save as PDF.Download file | Play in new window | Recorded on April 16, 2022Įpisode one hundred and forty-seven of A History of Rock Music in Five Hundred Songs looks at “Hey Joe” by the Jimi Hendrix Experience, and is the longest episode to date, at over two hours. If the icon is greyed then these notes can not be transposed. Please check "notes" icon for transpose options. * Where transpose of Forever Young sheet music available ( not all our notes can be transposed) & prior to print. Be careful to transpose first then print (or save as PDF). If your desired notes are transposable, you will be able to transpose them after purchase. If you selected -1 Semitone for score originally in C, transposition into B would be made. This means if the composers started the song in original key of the score is C, 1 Semitone means transposition into C#. If it is completely white simply click on it and the following options will appear: Original, 1 Semitione, 2 Semitnoes, 3 Semitones, -1 Semitone, -2 Semitones, -3 Semitones. You can do this by checking the bottom of the viewer where a "notes" icon is presented. Most of our scores are traponsosable, but not all of them so we strongly advise that you check this prior to making your online purchase. If not, the notes icon will remain grayed. If transposition is available, then various semitones transposition options will appear. In order to transpose click the "notes" icon at the bottom of the viewer.
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After you complete your order, you will receive an order confirmation e-mail where a download link will be presented for you to obtain the notes. This week we are giving away Michael Buble 'It's a Wonderful Day' score completely free.